Wednesday, October 30, 2013

~ Prism : Katy Perry ~ (Album Review)

Album Cover Art: Prism by Katy Perry
Listening to auto-tuned Katy Perry is, let’s face it, far more tolerable than hearing her sing live on stage. But you gotta give credit where it’s due. Perry is a hit-making machine with proven credibility. It’s no walking in the park writing a hit song let alone an album that contains more than a handful. That’s exactly what Katy Perry brings to the table with her fourth studio effort; an album full of potential radio-friendly hits. Of course, she receives more than a little help from a slew of today’s biggest hit-makers such as Dr. Luke, Stargate, Max Martin and Cirkut, to name a few. One could also imagine how much money gets involved in the building process of “Prism”.

Opening with her international #1 smash, a female empowerment anthem, “Roar”, “Prism” is packed with tracks that don’t even require a second listen to grow. You will be humming along by the time each and every chorus kicks in for the second time. She is that good.  She parties it up like it’s 1991 with Crystal Waters-esque “Walking On Air” while keeping it festive with Hip-hop flavored “Dark Horse” and Disco-tinged “Birthday”. The disc’s second single with a solid melody, “Unconditionally”, psychedelic “This Moment” and “Legendary Lovers”, a rousing record with an exotic appeal, are nothing but pure sugar, irresistible & infectious. 

Singing may not be her specialty but she handles the album’s mid-tempo ballads with dignity and devotion. Perry is aware of her range and therefore never pushes beyond. With “Spiritual” and “Double Rainbow”, (She cowrote the former with John Mayer and the latter, Sia Furler) she gets to showcase her serious songwriting skills, which by far is her strongest suit. The piano-led ballad “By The Grace Of God” and “It Takes Two” are two of the set’s most autobiographical and self-reflective moments. "Prism", in a nutshell is terrific. It’s upbeat, undemanding and ultramodern.




"Roar" ~ Katy Perry

"Unconditionally" ~ Katy Perry

~ A Mary Christmas : Mary J Blige ~ (Album Review)

The Album Cover Art : A Mary Christmas
For a diva, a Christmas album not only gives the golden opportunity to stretch her vocals by coming up with her very own renditions of familiar carols but also lets her collect a handsome pay-check, if of course she has a successful seasonal set like Mariah Carey’s that sells like hot cakes every Christmas. 

Mary J Blige has joined the club this year. But you won’t find the Rn’B diva trying to outsing her peers with drowsy jingles like “O Holy Night”. Nor has she delivered a hip-hop flavoured Christmas disc, which by the way, is a frightening thought. Instead, “A Mary Christmas”, conveniently titled, offers subdued, persuasive and respectful interpretations of classic holiday tunes. The maestro David Foster who Blige collaborates with on this set and for the first time in her long career helps provide the album with a timeless, traditional touch. (“My Favourite Things”, “This Christmas” and “Mary Did You Know” are poignant, classy and thankfully not over-done) 



Blige shows off her French on the elegant “Petit Papa Noel” while channeling Ella Fitzgerald on “Rudolph, The Red-Nosed Reindeer”, a jubilant update of a beloved tune. More Jazzy moments follow with “The Christmas Song” and “When You Wish Upon A Star”, an odd pairing of Barbra Streisand and Blige, which surprisingly, results in a Disney-sweet moment that will certainly please fans of both. Angelic voice of Marc Anthony almost outshines Blige’s understated singing on ”Noche De Paz (Silent Night). Expect punchy vocals from both Blige and her duet partner, Jessie J, which makes the dullish orchestration of “Do You Hear What I hear” somewhat bearable. 

Blige’s gritty vocals, her usual street cred and swagger are put away on this project. As a matter of fact, she sounds so polished and regal, showcasing a definitely different side. This easy-listening set will ensure commercial success for years to come for its simplicity and timeless feel while effectively finding her new Adult Contemporary fan base.



"When You Wish Upon A Star" ~ Mary J Blige & Barbra Streisand 

"Do You Hear What I Hear" ~ Mary J Blige & Jessie J


"Noche De Paz (Silent Night) ~ Mary J Blige & Marc Anthony



Friday, September 6, 2013

~ Buffalo Race in Bali ~


It’s 8:30 am. Bleary-eyed and heavy-headed, I reluctantly drag myself out of the car. We have driven at least three hours, all of which I slept through, from Seminyak to Jembrana, the least populated and visited region in the west of Bali. 

The driver picked me up in the wee hours of the morning. Not an early riser plus a night-out on the town, this is definitely not my kind of Sunday. However, I am intrigued, even a tad excited about the cultural event I am about to see. The traditional buffalo races, Mekepung in Indonesian, are held at the end of rice harvest during dry season from August to October.  




Armed with my beloved Canon, I drift through what appears to be a small brook, now barren and dry, as the monsoon is long over, and climb onto the road, which is now transformed, into a racecourse. Spectators occupy both sides of the oval shaped racing track that stretches at least 3 to 4  kilometers. Where I am standing now is still a few hundred meters away from the starting point.

It appears that the race has already begun. It doesn't take long. I see the first pair of buffalos pulling a small two-wheeled cart galloping towards me. The jockey is seated in a squatting position on the cart whipping the backsides of the beasts mercilessly to gain speed. I watch in awe as it zooms past, fast and furious. Seconds later, another cart arrives in a manner of a speeding truck leaving behind a giantic cloud of dust. Then another and another. Although they are not racing like the chariots in “Ben-Hur” movie, the energy, pace and grit of each and every contestant send the spectators into frenzy. Many root and cheer for their friends calling out their names or showering them with piercing whistles. 


Now fully awake by the unfolding spectacle, I march towards the tower where a sport announcer with a microphone is narrating the event in full disclosure. From here I could see the other side of the track, a few yards away and the finish line. Mostly locals attend the event with an exception of a few foreigners like me, who have come all the way to gain cultural knowledge and to discover the rural Bali, away from the sophistication of Seminyak and madness of Kuta. The vendors are selling various products, foods, drinks and knickknacks ranging from peanuts, watermelons, toys, whips to colored chicks. Yes, chicks are in fact dyed in several bright hues; hot pink, sunshine yellow, nuclear green and neon purple attracting the attention of young children.


While walking across the field towards the finish line, one of my sandals breaks. I try to fix it to no avail. In the end, I put it in the pocket of my shorts and keep walking with one shoe. A villager who has been observing this offers to help. He grabs the shoe from me, pushes the thong that fell out back into the hole using a stick picked up from the ground and voilà the problem is solved. “Terima Kasiah, banyank”, I thank him. 


In return, he asks me a favor; to take a photo of him and his friend, which I happily oblige of course. Seeing their photo on the LCD screen of my camera simply delights them. I wish I could print it out right away and give it to them. I say goodbye to them afterwards and continue walking till I reach the area where contestants are, in line, prepping their buffalos before the race. The proud jockeys are looking dapper in their brightly coloured fineries. Members of their entourage are feeding water to the animals to keep them from dehydration. Some are putting on ornaments such as colourful flowers, silk banners on the carts and big wooden bells around the necks of buffalos.



I learn later from my Balinese driver that competitors are judged not only based on speed, but on strength and style as well. The wining buffalos are used for stud and can be sold at handsome prices, sometimes even twice the market price. Animal lovers and activists would cringe at the treatment of the buffalos though. Not only do these animals receive cruel lashing with whips with nails in them, from the jockeys, which leaves them with bleeding backsides after the contest, the special chili paste is applied to each animal’s anus for the extra push as well. All of this is done to please the gods of harvest. And I hope they are pleased!


As the sun above me becomes unbearably hot and considering at least a few more hours on the road to return to Seminyak, I hurry down towards my van. The race continues although it seems it’s time for a wrap very soon. Suddenly, I hear loud gasps and yelps from the crowd. I turn around to see a pair of buffalos running at a maddening speed but without the jockey on the cart. Poor chap must have fallen out of it on the way.






Tuesday, September 3, 2013

"Loved Me Back To Life" ~ Celine Dion (Single Review)


Is the world ready for an auto-tuned Celine Dion? 

Undoubtedly, it’s not because she needs a helping hand in the vocal department (We are talking about the vocal powerhouse Canadian diva here, not Selena Gomez!), simply because seemingly every hit song on the Billboard charts these days features auto-tuned vocals. Just like the way every freakin’ photo people post on Facebook must get Instagrammed first, auto tuning has become a necessity, a hip and cool thing to do in music today. Therefore, it’s both predictable and fathomable that even an artist of Celine Dion’s stature would also consider that route in order to stay current and relevant.

Written by one of today’s most sought after songwriters, Sia Furla (“Titanium”, “Wild Ones”), “Loved Me Back To Life” finds Celine singing in a minor key about a generic topic, “love” but in a somewhat confusing way.

“But you stood by my side,
Night after night, night after night,
You loved me back to life, life
From the darkness the wait is over
You loved me back to life, life
From the darkness, we’re lovers again tonight
Back to life, back to life, back to life, back to life, yeah”


It makes one wonders, “Could she be singing about her husband of gazillion years? They have pretty much lived a scandal-free charmed life. So… what does she mean by “darkness”? Or could she be addressing her return to the international music scene at the urging of her adoring fans? But then again she never really went anywhere. She has had a successful run performing sold out shows in Vegas and she put out a French language album, which went to #1 in several French-speaking countries.

What’s surprising with “Loved Me Back To Life” is that there is no epic vocal moment, so unusual for Celine. Her delivery here is somewhat feeble, in other words (and if we are seeking a positive spin), “restrained”. It’s an easy-listening song with a minimal production by, let’s say, not very well known producers. The opening radio-friendly hook, “I-I-I-I, I-I-I-I” promises a dance pop ambience that sadly never gets materialised. Her signature nasal tone will certainly warm the hearts of her hard-core fans but there are also plenty of wait-what-did-she-just-sing? moments as usual. www.metrolyrics.com, right?

All in all, as the first single of her long-awaited eleventh English language album, this mid-tempo track doesn’t do much to attract new audience in the mainstream dance-pop chart. It also won’t please her core fan base in the adult contemporary chart. Simon Cowell in his very distinctive British accent would say “FORGETTABLE!”